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Netflix's IO Review
A more intimate but non necessarily e'er compelling take on the postal service-apocalyptic genre.
Trips into dangerous areas are punctuated with alarms signaling the need to change a respirator'southward air filter. Water is only accounted condom later on passing through charcoal and sand. Animals and/or edible vegetation are generally nonexistent. The severity of Sam'south situation is showcased daily. Her difficulty in finding a curative measure for Globe isn't the film's focus though. At least, not entirely. At that place'south also an underlying theme centered on the importance of one'south relationships. Patently, Sam is alone given her desire to stay on the seemingly vacant planet. That said, her altitude from the rest of humanity isn't the sole reason she'southward lonely. This fact is emphasized after she has a chance meet with a survivor named Micah (Anthony Mackie).
The film forgoes the typical struggles associated with the end of the globe – bloody exchanges between survivors, for case – and instead, leans on the mundane, such every bit the quiet moments betwixt the collecting of samples and failed experiments. It's hither that IO dwells, for improve or worse. The pacing works in conjunction with Sam and Micah'due south interactions. Their conversations aid to frame the plot, with the circumstances surrounding how they met providing the most interesting $.25.They don't delve deep enough into sure issues. The dialogue lands firmly on the surface. Just overall, their personal drama is presented in a refreshing way. This subdued treatment doesn't work all of the time though, equally is the case when the focus shifts dorsum to the movie'due south overarching dilemma.
Even though in that location is a literal countdown hanging over their heads, in that location is little to no sense of urgency being displayed by the characters onscreen. While Sam and Micah are always aware of the stakes, resulting in them taking some logical steps towards a given choice, they don't e'er respond to events in a way that corresponds with their plight. And fifty-fifty when they practice, IO'due south lackadaisical nature negates any sense of tension or excitement.At this point, the pacing becomes harmful every bit it doesn't let IO to progress in a way that reflects what the audience was made to believe. It isn't completely self-sabotaging because the intimate nature of the character'due south conflict. Information technology does, withal, result in large portions of the film coming dangerously close to existence slow.
Thankfully, Margaret Qualley and Anthony Mackie provide competent performances. The script doesn't lend itself to anything truly profound and in that location wasn't much in the way of character growth; the important revelations aren't as striking as they should have been thanks to the film's laid-back vibe. Withal, they both played well off of one another. Danny Huston, who plays Sam's male parent, isn't onscreen long enough to warrant much praise but his inclusion should be well received nonetheless.
Netflix's IO provides a different take on a familiar premise. The story is intimate in nature, with a plot that highlights the importance of relationships – non just betwixt partners or family members, but relationships in general. Its pacing and lack of urgency betrays the drama though. That's not enough to exist described as tedious, but enough to give one pause before choosing it as their movie for the night.
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Netflix's IO is a more intimate but not necessarily ever compelling take on the mail service-apocalyptic genre.
Source: https://www.ign.com/articles/2019/01/18/netflixs-io-review-anthony-mackie